“Even the most successful dancemakers have to grapple with the fact that live art is always a limited engagement,” Candice Thompson writes — but in this editorial piece, she credits images by Alex Apt and Itai Zwecker for evoking Pitts’ Black Trilogy with both mystery and invitation. Later, Thompson interviews Pitts for DIYdancer podcast UnSequenced, and framing his creation process for the trilogy of solos: BLACK BOX, BLACK VELVET, BLACK HOLE.


June 2020

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